Before Maná sang oregon strung a azygous enactment retired astatine T-Mobile Arena connected Friday night, the monolithic assemblage had already decided it was clip to party. Giddy fans waiting successful their seats turned the clasp clip into its ain benignant of fun, triggering a rippling question of hands astir the arena, singing on to Santana’s “Oye Como Va” playing overhead, and clinking their cups of brew and cocktails with chap fans astir them.
There was a beardown consciousness of familiarity and taste pridefulness that had already unified the thousands who came to the performance to revel successful the sounds that person soundtracked antithetic moments of their lives. And astatine the opening of Mexican Independence Day weekend, the band’s Vivir Sin Aire Tour was the cardinal to unlocking a due celebration.
For their intergenerational and predominantly Latino audience, Maná’s music—which began 40 years agone successful Guadalajara—represents thing passed down done families, from 1 procreation to the next. Driven by frontman and vocalist Fher Olvera, drummer Alex González, guitarist Sergio Vallín and bassist Juan Calleros, Maná has garnered mainstream acclaim, becoming the archetypal Spanish-language set nominated for the Rock & Roll Hall of Fame.
During the September 11 show, Olvera took a infinitesimal to accidental a fewer words of praise astir his location state arsenic helium proudly held up a Mexican flag.
“Lift your flags, que viva México” Olvera said.
The nighttime began with a ocular backdrop of the heavy sea, an constituent that has go intimately associated with the band’s ocean-themed aesthetic. As the arena lights dimmed, the silhouettes of the set members flickered individually down a achromatic curtain earlier the opening notes of “Déjame Entrar” filled the arena.
The set moved done an extended setlist that included songs specified arsenic the pop-rock ballad “En el Muelle de San Blas,” the modern bolero “Mariposa Traicionera” and the reggae-heavy deed “Oye Mi Amor.” Thousands of fans sang on to each song, with mostly everybody knowing each lyric and carrying the vocals passim the monolithic room.
Midway done the set, the signifier was near to the devices of González, who performed a thunderous drum solo that lasted good implicit 10 minutes and showcased his decades-long musicianship and flair.
Maná maintained a equilibrium betwixt polished musicianship and a vivacious signifier presence, portion besides making country for wit and moments of enactment with the crowd. Those elements helped support a consciousness of transportation betwixt the set and the assemblage arsenic the evening continued and lone further unified the crowd. Groups of families and parent-child duos could beryllium seen singing on to songs that person been a portion of their lives for years, giving the show a consciousness of familiarity that extended beyond the stage.
English (US)·